Records of the Past, 2nd Series, Vol. IV , ed. by A.H. Sayce, [1890], at sacred-texts.com
(Texts: All Artifacts, Color Coding, & Writings in Bold Type With Italics Inside Parenthesis, are Added by Editor R. Brown, not the Authors, Translators, or Publishers!)
(gods in blue …mixed-breed demigods in teal…)
(Inanna, Goddess of Love & War, daughter to Nannar, twin to Utu)
1. To Beltis (Inanna), the great lady, chief of heaven and earth, queen of all the gods, the mighty one
2. of all lands, whose festival is honored among the Ishtars (Inannas), who surpasses in power her offspring, a shining form,
(Babylonian King Hammurabi stands before the Sun god Utu)
3. who, like the sun her brother (Utu), the ends of heaven and earth together enlightens, the strong one of the Anunnaki,1
4. first-born of Anu, great one of the gods, queen over her enemies, who goes before, troubler of the seas,
(attendant Ninshubur & Inanna)
5. who tramples the wooded mountains under foot,2 the mighty one of the Igigi (Anunnaki space truckers to Nibiru), lady of fight and battle,3 without whom in E-sarra the scepter
6. they would not obey, who causes to receive strength,who causes to find the fulness of the heart1 of him who loves truth,
7. hearer of prayers, receiver of supplication, who accepts entreaty, Ishtar, the perfect light,
8. all-powerful, who enlightens heaven and earth, whose name is proclaimed in the regions of all countries,
9. who bestows life, the merciful goddess, to whom it is good to pray, who dwells
10. in Calah, my lady.
II
In the following inscription Assur-bani-pal commemorates the revolt of Elam and its final suppression (after 648 B.C.), as well as certain repairs or alterations which he carried out in the temple of Ishtar of Nineveh, to whom are gratefully ascribed both the inspiration and the merit of his victorious campaigns.
The reference to the fate of Teumman’s successors is not altogether clear, though Tiele (Babylonisch–Assyrische Geschichte, ii. 399) is probably right in explaining it as an allusion to the triumphal progress of Assur-bani-pal to the gate of the temple of Ishtar in a chariot drawn by the four conquered kings. See W. A. I., v. 10, 29. But in that case the introduction of Ummanigas must be due to an error, for he was killed by his son, Tammaritu, long before the end of the Elamite war, which this barbaric triumph of Assur-bani-pal was intended to celebrate (Smith, History of Assurbanipal, p. 202).
And, as we learn from W. A. I., v. 10, it was the Arabian King Vaiteh, who, together with the three Elamite princes mentioned in our inscription, was compelled to draw the car of Assur-bani-pal.
The inscription appears to have been frequently copied and widely circulated. Four versions are preserved in the British Museum (Nos. 62, 63, 64, 65), and a fifth was discovered at Tartûs (the ancient Antarados) in 1885, of which the text, with a translation, was communicated by Professor Sayce to the Society of Biblical Archeology, and published in their Proceedings (vii. 142). It has further been published and translated by George Smith (History of Assurbp., p. 303), and S. A. Smith (Keilschriftexte Asurbanipals, ii. 10), while a German version by Jensen will be found on p. 264 of the second volume of Schrader’s Keilinschriftliche Bibliothek.1
(Inanna, alien giant goddess with advanced technologies)
1. To Beltis (Inanna), lady of the lands, who dwells in E-barbar,2
(mixed-breed descendant-king Ashurbanipal II, with many symbols of Anunnaki gods)
2. Assur-bani-pal, King of Assyria, the great one, her worshipper,
3. the governor, the work of her hands, who by her great command
4. in the onset of battle had cut off
5. the head of Teumman, King of Elam;
6. and Ummanigas, Tammaritu, Pa’e,
7. Ummanaldas, who after Teumman had exercised
8. royalty over Elam, with her great help
9. my hands took them, and to the chariot,1
10. the car of my kingship I fastened them,
-
and in her mighty name in all countries I went to and fro,
(ancient coin of Inanna‘s temple / residence with a landed shem / rocket)
12. and rival had I none. In those days the pavement of the house of Ishtar,
13. my lady, with squared stone well-hewn2 its fabric
14. I made great for ever. Beltis (Ishtar / Inanna),
15. may this pavement be accepted before thee!
16. On me, Assur-bani-pal, the worshipper of thy great godhead,
17. a life of long days, wholeness of heart bestow,
18. and going to and fro in E-barbar (Utu‘s “Shining House” in Larsa) may my feet grow old!
III
The following is a translation of the inscription of Assur-natsir-pal referred to in II, note 2. It establishes the identification of Beltis with Ishtar of Nineveh, and also records the fact that “the temple of the library” (?) was originally built or founded by Samsi-Rimmon. Two inscriptions and two only of this ancient king appear to have been preserved;but in both he styles himself “builder of the house of Assur,” which is perhaps the same temple as that which in later records, like the present, we find more particularly associated with Ishtar. The inscription is on a fragment of a votive dish of clay found at Kouyunjik, and now in the British Museum.
(Ashurbanipal II could read & write in many languages, it was his text written in 3 languages, that finally gave linguists the clues to translate the ancient texts, the 1st texts, written in cuneiform)
1. Assur-natsir-pal, vicar1 of Bel (Marduk), high-priest of Assur (Osiris), son of Tukulti-Uras, vicar of Bel, high-priest of Assur, son of Rimmon-nirari, vicar of Bel, high-priest of Assur,
2. when E-barbar, the house of Ishtar (Inanna) of Nineveh, my lady, which Samsi-Rimmon, high-priest of Assur2 the great one who went before me, had made,
(Ashur, son to Marduk, in his sky-disc, directing his king)
3. fell into decay, from its foundations to its roof I restored (it), I completed (it), I strengthened (it) more than before, I repaired (it) …3
4. An inscription I wrote in the midst … May some later monarch that which has fallen of it renew; the name written to its place [may he restore!]4
Footnotes
91:1 The spirits of the under world opposed to Igigi, the spirits of the upper air.
91:2 In an inscription of Assur-natsir-pal on a small altar brought from Balawât by Mr. Rassam, and numbered 71 in the Nimrud Gallery of the British Museum, the same epithet is applied to Bel. AnaBeli … mu-na-ri-id khur-sâ-ni a-sib E-kid-mu-ri, etc.—”To Bel, … trampling the wooded mountains under foot, dwelling in E-kid-mu-ri,” etc.
91:3 Or, as Mr. Pinches suggests, “without whom … the herd or tribe would not obey,” taking sibdhu as a collective expressing literally “that which is driven together.” Cf. Ex. xxiv. 4. שׁבטי ישׂראל “the tribes of Israel.” Jensen translates: “ohne die … ein Strafgericht (?) nicht günstig ist.” (!) E-sarra is the temple of heaven, opposed to E-kur, the temple of the earth.
92:1 Or, “who causes to attain the heart’s desire of him,” etc.
93:1 The text will be found in the second volume of W. A. I., plate 66, No. 2; but the arrangement of the present translation is different, being that of No. 64, as edited by S. A. Smith.
93:2 It is uncertain whether the name of this temple should be read E-barbar (“Shining House”) or E-masmas, and the meaning of the name is also obscure. However, in W. A. I., ii. 48, 26, barbar (or masmas) is explained by the Assyrian phrase kis-su sa mu-’sa-ri-e, which is interpreted to mean “library” (Sayce, Hibbert Lectures, p. 149), in which case E-barbar would be “the temple of the library.” The original meaning of mu’sarû seems to have been “furrow”; cp. W. A. I., iv. 27, I: bi-i-nu sa ina mu-’sa-ri-e me-e lâ is-tu-u (“seed which in the furrows drinks not water”). Hence, through the idea of what is traced or indented, it comes to mean an inscribed character, an inscription. The temple in question is the temple of Ishtar at Nineveh, which was also restored by Assur-natsir-pal. See W. A. I., iii. 3, 40.
94:1 The words translated “chariot” (itsi sa sa-da-di) mean literally “the wood of drawing,” or “the draught-wood.”
94:2 iski, translated “well-hewn,” I take as an adjective, and connect with the root שּׂכה, of which “primaria potestas fortasse est in secando.” The meaning “strong” has also been suggested; in any case it is difficult to see how it can be made (as by S. A. Smith) into a preterite of the first person.
95:1 I venture, on an obvious model, to introduce the phrase, “vicar of Bel,” as more expressive than such terms as “viceroy,” of the combination of functions in a ruler who was not only a king but also a pope.
95:2 The son of Isme-Dagon, cir. B.C. 1820.
95:3 At the end of line 3 I restore u-sa-tir; cp. Tiglath-Pileser, viii. 49, a-na as-ri-su-nu u-tir.
95:4 I restore lu-tir; cp. W. A. I., iii. 3, 23, ana as-ri-su lu-tir.